CATALOGUES
Into the Fray, text by Carolyn Bell Farrell, Textile Museum of Canada, Toronto, 2007
Espaces suspendus/Suspended Spaces, Hundreds and Thousands /Des centaines et des milliers, text by Makiko Hara, Art Gallery of Bishop’s,University, Lennoxville, Québec, 2002
Officina America, text by Renato Barilli, Villa della Rosa. Galleria d’Arte Moderna, Bologne, Italy, 2002
Almost Invisible, text by Michael Tarantino, Southern Alberta Art Gallery, Lethbridge, Alberta, 2001
The Very Thing, text by Susan Gibson Garvey and Robin Metcalfe, Dalhousie Gallery, Dalhousie University, Halifax, Nova Scotia, 2000
Between Body and Soul / Entre Corps et Âme, text by Karen Antaki and David Liss, Leonard & Bina Ellen Art Gallery, Concordia University, Liane and Danny Taran Gallery, Centre Saidye Bronfman, Montréal, 1999
Von Kopf bis Fuss, Ursula Blickle Stiftung, Kraichtal. Editions Stemmle, 1997
L’écart, text by Daniel Dobbels, Centre d’art contemporain de La Ferme du Buisson, Noisel, France, 1996
Ginette Légaré, Lucie Robert and Sarah Stevenson, Glendon Gallery, Glendon College, York University, City of North York, 1996
A Notion of Conflict; A Selection of Contemporary Canadian Art, text by Dorine Mignot, Stedelijk Museum, Amsterdam, 1995, ill.p. 35
Perspective 94, text by Christine Ritchie, Art Gallery of Ontario, Toronto, 1994
L’origine de choses, text by Pierre Landry, Musée d’art contemporain de Montréal, 1994, ill, pp. 39, 40, 41
Prospect 93, text by Peter Weiermair, Frankfurter Kunstverein et Schirn Kunsthalle Frankfurt, Germany, 1993, ill. pp. 235, 236, 237
Townsend, Martha: Sarah Stevenson (interview), Mercer Union, Toronto, 1990
SELECTED PERIODICALS
Mirny, Naomi, “Sarah Stevenson’s Before the Storm explores the turbulent intimacy of stillness”, The McGill Tribune, May 20, 2021
Dunlevy, T’Cha, “Three Montreal artists reframe line between art and life in new shows: Janet Werner, Sarah Stevenson and Françoise Sullivan reimagine the world around them as the city emerges from a lockdown haze“, The Montréal Gazette, May 28, 2021
De Pencier, Hannibal, “Sarah Stevenson, Fonderie Darling, Montréal”, esse.ca, Montréal, July 14, 2021
Delgado, Jérôme, “Sarah Stevenson poursuivra sa réflexion sur l’apesanteur,” Le Devoir, Montréal le 22 mars, 2008
Milroy, Sarah “The Best of Canadian Sculpture”, Globe and Mail, Toronto, Novermber 3, 2001 p. V7
Lammerich, Yvonne, “Why does Terror seem so intimate?”, Etc, No 54, eté, 2001 pp.48-52
Gopnik, Blake:”Remaking the World in our Image”, Globe and Mail, Toronto, February 9, 2000, p.R10
Workman, Sharon;”Sculpture’s The Thing”, Halifax Chronicle-Herald, January 16, 2000
Marikakis, Nicolas; ”Le corps réinventé”, Voir, Montréal, 19 au 25 novembre 1998, p.75
Liss, David; “Peculiar, perceptive, promising : Vitality in works by Stevenson, Goodwin, Ocampo and Fisher”, The Gazette. Montréal, Saturday, February 25, 1995, p. H6
Cummins, Louis; “La fin des complicités”, Parachute, No 77, janv., fév., mars 1995, pp.27-32
MacKay, Gillian; “Perspective 94: Carlo Cesta and Sarah Stevenson”, Canadian Art, Winter 1994, Vol. 11, No. 4, pp. 78
Cron, Marie-Michèle:”Les choses de la vie”, Le Devoir, Montréal, les samedi et dimanche 30 octobre 1994 p.D 11
Bradley, Jessica; Sarah Stevenson, Canadian Art, Vol. 10. no 4, Winter 1993 p. 69
Gillmor, Alison; “Art explores cruel constrictions”, Winnipeg Free Press, Saturday, October 17, 1992, p. 36
Gravel, Claire;”Oboro: Sarah Stevenson”, Le Devoir, avril 1990